- #ARTSTUDIO PRO IMPRESSIONS MOVIE#
- #ARTSTUDIO PRO IMPRESSIONS ARCHIVE#
- #ARTSTUDIO PRO IMPRESSIONS PROFESSIONAL#
“Missunderstanding”.Visual Arts Faculty Gallery, Superior Institute of Art (ISA), Havana, Cuba. International Experimental Film Festival, Albuquerque, Nuevo Mexico, USA.
#ARTSTUDIO PRO IMPRESSIONS MOVIE#
“Move Things: videocreation in Cuba”.20th Movie Theater Las Americas, International Film Festival, Austin, Texas, USA.
"Artífice" (Collateral to the XIII Havana Biennial). "Resonancia" (Collateral to the XIII Havana Biennial). "Lyceum" (Collateral to the XIII Havana Biennial). "Illnes has a color" (Collateral to the XIII Havana Biennial). “The being and he/she swims her".Ministry of Science Technology and Environment (CITMA).
#ARTSTUDIO PRO IMPRESSIONS PROFESSIONAL#
Professional Academy of Visual Arts Tiburcio Lorenzo.Pinar del Río, Cuba.Ģ007 –“ Roads“.Lobby Cinema Praga.Pinegrove of the River. “In Extremix” (Pseudonymous-Ernesto Nereda).03C Gallery, Superior Institute of Art (ISA).Havana. 03C Gallery, Superior Institute of Art (ISA).Havana. “Tropical Paradise”Pseudonymous- Enrique Rosett). Perera).Rubén Martínez VillenaGallery, Havana, Cuba. Carmelo Gallery, Havana, CubaĢ015 - “The left sentence” (Duo Show withIván M.
532 Gallery Thomas Jaeckel, New York, USA.Ģ018 - “Museum”.OrigenesGallery, Gran Teatro de La Habana Alicia Alonso, Havana, Cuba.Ģ017 - “Grand Tour”. Columbia, Nueva York, USA.Ģ019 - "The Voyeur". Miami, Florida, USA.Ģ016 / Residency Illy& UNIDEE (Unmaking: Subverting The Every-Day). Pinar del Río, Cuba).Ģ018 / The Fountainhead Residency. Cuba.Ģ010 – Bachelor in Visual Arts (Professional Academy of Visual Arts Tiburcio Lorenzo.
Both figures are presented as paradigmatic entities that the pictorial process constructs and deconstructs in a quasi-abstract way, making possible a total (absolute) image in which the leader's historical and family (human) memory almost disappears but remains intermittently latent.Ģ018 – Degree in Visual Arts. I could sum it up by saying that Fidel presents himself to me as a radical political figure with an air of revolution capable of transforming a society and an epoch (for better or worse) and my grandfather on the other hand as the incarnation of the most humble, natural and simple that a man can possess in the best sense of the word, as a peasant dedicated all his life to the family breadwinner. This connection at first only responded to a certain physical similarity between the two characters, but today I am much more aware of the complexity involved in it. Fidel's figure and that of my grandfather are diametrically opposed in the ideal, political and historical plane, their approach and relationship in this case is given by a fetish idea that has haunted me for years, that of finding (or rather camouflaging today) the figure of one in the other. The choice of both characters for the staging of a pictorial dialogue is presented as a strategy of deterrence and rupture of the supposed prevailing political ideology in our society, or rather, the transformation of it. In the second, images from my grandfather's family album are used, showing it from a daily and personal point of view.
#ARTSTUDIO PRO IMPRESSIONS ARCHIVE#
The first case arises from historical archive photographs and other images of the Cuban leader after his death, combined with a very personal and intimate point of view of the leader's image. Decomposition is a series of pictorial portraits presented during the XIII Havana Biennial, ranging from the figurative to the abstract, in which two fundamental figures or characters, Fidel Castro and my grandfather Aurelio Cusett, are taken as a reference.
0 kommentar(er)
